Orion:
Enjoyable. You write from a third-person limited perspective rather than the third-person sorta-kinda-omniscient form that gets used a lot around here, which I am a
big big big fan of. No obvious structure errors that I could see, some minor flaws here and there (the part about him knowing better but it feeling like Victoria lit his robe on fire stuck out oddly), and I was able to get a handle on the basic archetype and thought process of the character very easily. The writing was, for the most part, concise and to the point. Good stuff.
There are occasions where I think you state things
too plainly - as in his emotional state - but the SSJ transformation pretty much avoided this. The image of his anger burning hotter because it was burning at all was potent.
Victoria:
Your spelling is fine. Your grammar is fine. You have a developed style that doesn't jump around. Your basics are extremely solid, and I liked a lot of the first half of the first post. You created a rich backdrop that felt real. “Hey, we kicked ass, we're still here” felt
so right. It even made me forget that constant sound makers, screaming and cheering can't really be breaking any kind of "silence."
What evs, you know? Nitpicking.
I got a feel for the character - not a
great one, I didn't feel like I connected with her, but I at least know why she's there and the shit she's dealing with.
However, despite the good beginning, I found it very difficult to get through your posts.
Why?
I'm not going to judge you by past threads, but I will mention that this is something that's almost always been an issue. Whether a lot or a little, it's always been a bit ...
purple prose-y. A daisy is not a daisy, it's "
a be-petaled flower, its pristine white, silky ornaments reaching out from a radiant, sun-kissed center."
Vic's hair is never pink, it's
coral. She's almost never just Victoria, she's '
the youth', 'the hunter', or some other euphemism. (Though this latter is a widely used by other members of the site, and as I've judged them without knocking off points for it, I won't complain overly much of this.) A wind can't touch her cheek, it "kissed her cheek, very much tingling with the warmth of the fiery suns".
It hurts your writing. It hurts it
a lot. I know that this is your style, but it needs to be tweaked. Flowery prose is not
innately bad - just when it is used with wanton abandon. Like salt, it can spice up a dish and make it even more delicious, but if you use too much it becomes all you can taste, and the real meat of your prose is overshadowed and lost.
Verdict:
Orion.