Pink Underoo Wrote:You claim that the draw point here is philosophical undertones, but you're missing the point that the Joker has no undertones.
Arguable. At any rate, it is precisely his curiosities (which this would surely be one of) that require closer inspection. You take such things and write him off as thin and weak. Others see it as an example of complexity and depth.
Quote:His dialog is literally the subtext. Also, what do you think of how he was acclaimed to not be a schemer, yet he is a very blatant schemer?
Not really. He just does. What he does can be complicated, but he doesn't plan it.
For example, if I am playing Chess with someone, I could produce a horribly complicated pattern of moves and follow that pattern, but never with a random end. I always plan for a specific purpose, such as capturing an enemy piece, or fortifying my position. I never just move.
The Joker, however, would play Chess with the intent of havoc, not as a direct desire (for then, one could argue he plans to produce desire), but as an indirect reaction to his lack of inhibition. If we must use the term "impulsive", then we must not apply the typical connotations, such as "simple".
The point is, you cannot understand him, and I cannot understand him. That does not mean he is inconsistent, or flawed, or thin, or in some way inferior. These things are all value judgments you have made, and are opinions based upon personal tastes, not upon logic.
Quote:I actually enjoy philosophy, but this is not anything of the kind. It's a big budget film with an insubstantial arch villain who is thinly painted with contradictory overtones that make repeated appeals to the pseudo intellectual viewer. It makes no difference about the amounts of pages you could write about the character, because if one were inclined to write a ten page essay on the nature of dog shit then it could happen, and I'm sure there'd be others who'd be enthralled with every word of it - that's the nature of philosophy, it's whatever the fuck you make of it.
I don't know how much you are familiar with philosophy, but this sort of a post seems to indicate a general ignorance of what it actually consists of, and of particular texts. Again, I could think of nothing else but Nietzsche in the character of the Joker, and Two-Face's basis of decisions on the flip of a coin recalled the study of ethics as a whole. There is plenty of meat here to dig into, and having talked to a number of my classmates (some of whom are also philosophy students), I have no doubt that the movie could spark a number of interesting discussions.
Quote:But as for the actual character, personal opinion aside, I'm calling it bullshit because that's what it is. This Joker (no pun intended) is a generically twisted villain placed in a poorly scripted action movie. I'm starting to think that if Heath's death prevents this character from recurring in the next film (which I'll probably avoid anyway) then at least something good would come from his passing.
You cannot possibly claim something like this, then claim that it is removed of all opinion. You're making a value judgment.
What is it, exactly, that qualifies a particular work as intellectually fulfilling, or substantial, or what-have-you? Is it the extent to which the audience can react to it in an original and thought-provoking way? Is it the extent to which it agrees with your particular view on what things should be?
Of course, I could simply raise the matter of postmodernism, and argue that you could not possibly remove personal opinion from your evaluation, no matter how much you hope to appeal to objectivity at all. It is the height of Rousseauian naivety to suggest otherwise.
EDIT: Oh, and you might do better to remove such words as "pseudo-intellectual" from your posts in the future. In my experience, a pseudo-intellectual is precisely that person who attempts to establish personal superiority by denigrating everything in sight, which is pretty much all I've ever seen you do.